In this original and provocative book, Colin Dayan tackles head-on the inexhaustible world, at once tender and fierce, of dogs and humans. We follow the tracks of dogs in the bayous of Louisiana, the streets of Istanbul, and the humane societies of the United States, and in the memories and myths of the humans who love them. Dayan reorients our ethical and political assumptions through a trans-species engagement that risks as much as it promises. She makes a powerful case for questioning what we think of as our deepest-held beliefs and, with dogs in the lead, unsettles the dubious promises of liberal humanism. Moving seamlessly between memoir, case law, and film, Dayan takes politics and animal studies in a new direction-one that gives us glimpses of how we can think beyond ourselves and with other beings. Her unconventional perspective raises hard questions and renews what it means for any animal or human to live in the twenty-first century. Nothing less than a challenge for us to confront violence and suffering even in the privileged precincts of modernity, this searing and lyrical book calls for another way to think the world. Theoretically sophisticated yet aimed at a broad readership, With Dogs at the Edge of Life illuminates how dogs-and their struggles-take us beyond sentimentality and into a form of thought that can make a difference to our lives.

Abused dogs, prisoners tortured in Guantanamo and supermax facilities, or slaves killed by the state--all are deprived of personhood through legal acts. Such deprivations have recurred throughout history, and the law sustains these terrors and banishments even as it upholds the civil order. Examining such troubling cases, "The Law Is a White Dog" tackles key societal questions: How does the law construct our identities? How do its rules and sanctions make or unmake persons? And how do the supposedly rational claims of the law define marginal entities, both natural and supernatural, including ghosts, dogs, slaves, terrorist suspects, and felons? Reading the language, allusions, and symbols of legal discourse, and bridging distinctions between the human and nonhuman, Colin Dayan looks at how the law disfigures individuals and animals, and how slavery, punishment, and torture create unforeseen effects in our daily lives.

Moving seamlessly across genres and disciplines, Dayan considers legal practices and spiritual beliefs from medieval England, the North American colonies, and the Caribbean that have survived in our legal discourse, and she explores the civil deaths of felons and slaves through lawful repression. Tracing the legacy of slavery in the United States in the structures of the contemporary American prison system and in the administrative detention of ghostly supermax facilities, she also demonstrates how contemporary jurisprudence regarding cruel and unusual punishment prepared the way for abuses in Abu Ghraib and Guantanamo.

Using conventional historical and legal sources to answer unconventional questions, "The Law Is a White Dog" illuminates stark truths about civil society's ability to marginalize, exclude, and dehumanize."

In this original and provocative book, Colin Dayan tackles head-on the inexhaustible world, at once tender and fierce, of dogs and humans. We follow the tracks of dogs in the bayous of Louisiana, the streets of Istanbul, and the humane societies of the United States, and in the memories and myths of the humans who love them. Dayan reorients our ethical and political assumptions through a trans-species engagement that risks as much as it promises. She makes a powerful case for questioning what we think of as our deepest-held beliefs and, with dogs in the lead, unsettles the dubious promises of liberal humanism. Moving seamlessly between memoir, case law, and film, Dayan takes politics and animal studies in a new direction-one that gives us glimpses of how we can think beyond ourselves and with other beings. Her unconventional perspective raises hard questions and renews what it means for any animal or human to live in the twenty-first century. Nothing less than a challenge for us to confront violence and suffering even in the privileged precincts of modernity, this searing and lyrical book calls for another way to think the world. Theoretically sophisticated yet aimed at a broad readership, With Dogs at the Edge of Life illuminates how dogs-and their struggles-take us beyond sentimentality and into a form of thought that can make a difference to our lives.

Colin Dayan has one of the most original minds in America and also one of the fiercest. Here for the first time she turns her rigorous intellect toward her own life, onto her vexed relationship with her mother and subsequent suffering -- and she does so with her usual uncompromising clarity. It's rare for such a tormented work to be so masterful. In the Belly of her Ghost is not exactly an easy read, but it's also very hard to put down. -Madison Smartt Bell Colin Dayan's searing personal narrative is as much a Southern Gothic story as a haunting family portrait. A tale of love and resentment, In the Belly of Her Ghost is a memoir and meditation on the author's dead mother -- a Haitian woman attempting to assimilate into white Southern belle high society during the Civil Rights era. Dayan's mother grows austere with her newfound glamour and dismissive of her daughter, whose darker skin foments a loving connection with Lucille, her African American nanny. Capturing the bitter struggle of mother and daughter -- from her childhood unto death and beyond into the disconcerting present--In the Belly of Her Ghost is a lyrical journey through memory and loss. Dayan reflects on her complicated origins as she grows into a woman, uncertain if she's "black" or "white"; we see a gritty, nuanced view of the Jim Crow South. A literary ghost story, In the Belly of Her Ghost grapples with our complicated notions of race, identity, and femininity. In times such as ours, and the times from which they spawned, ages of violence against all forms of "other" -- genders, bodies, skins, ideas -- how can we lay to rest the ghosts that haunt us, and invite to the table those that help us live? Writing from the headlands far into the interior, threading the personal with the public, an elegy with a covert manifesto of hope, Colin Dayan understands what it is to be haunted: by history, by race, by family, by what presses on the definitions of one's life. In pages at once strikingly evocative, allusive, and embodied, rigorously sensory in their hard-won wisdoms, Dayan argues for the co-existence of species, variants of identity and belonging, a commonwealth of the living and the dead. In the Belly of Her Ghost imbues profound remembering with a democracy of looking and listening, where all that matters -- objects, animals, people and place -- is properly attended. It is a volume appearing undeniably in its necessary moment, and it is precisely necessary because the truths it speaks are as old as our troubles, as required as our joys. -Andrea Luka Zimmerman This subtle, ambivalent, deeply thoughtful book makes nothing easy -- difficult moments are imbued with grace and familiar parades of ghosts. "It is not easy to tell a ghost story that is not meant to frighten," Colin Dayan writes, and we hear a series of conversations with the past, with selves old and new, with memories of Haiti and the American South, with a black woman who effectively mothered the writer, with an actual mother both dead and alive. How many of us could so lucidly say of a disappointed and disappointing parent, "I did not want to love her as much as I did"? At the center of this haunting narrative is an unforgettable ghost story, which, ultimately, is not quite a ghost story at all. -Michael Wood With "In the Belly of Her Ghost," Colin Dayan delivers a haunted and haunting memoir of her mother, from a childhood in Haiti to a clipped life as a Southern belle. This is no ordinary family story: it is a lyrical telling of how racial terror and patriarchy reverberate in our most intimate relationships; it is about love aborted and love forged in violence and repression. As rejection, loss, and self-loathing simmer on the surface, this beautiful and desolate work recounts social harms and personal grievances. But it also bears witness to the persistent longing for connection that we carry with us and reminds us of what remains: an abiding faith that love can make you whole, even in death. -Deborah Chasman